August 15, 2007
Artist Spotlight: Emily Sweeney

Emily Sweeney co-directs Perpetual Mvmt<>Snd, an interdisciplinary performance collective in residence at the Mascher Space Coop in Philadelphia, which she also helps administer. A member of Susan Sgorbati’s Emergent Improvisation Ensemble, she has presented her own improvised and choreographed works as part of PARAPHRASE/NEXUS, the bowerbird performance series, and in the Soundfield Festival. Her work will be presented at the CEC during the 2007-08 New Edge Mix series. Emily has danced in the work of Dana Reitz, Susan Rethorst, Doug Elkins, and Nia Love at such venues as the Jacob’s Pillow Dance Festival, Bates Dance Festival, and the White Wave Dance Festival. Emily holds her B.A. in Dance and Literature from Bennington College.
1. What brought you to Philly?
I moved to Philly from Vermont three years ago, I admit largely because I could afford to as a recent and slightly aimless college graduate with no job and no savings. Weirdly, first and foremost, I was really drawn to the decaying industrial architecture on the outskirts of Center City. I find something comforting about empty buildings.
I’ve remained here because Philly has been truly generous to me, and my artistic life here has emerged from one serendipitous turn after another. I met my collaborator Bilwa, a musician, visual artist, and Philadelphia native, and we began to work with Mikronesia (of Gemini Wolf) and a number of other dancers and musicians as the dance and music collective Perpetual Mvmt<>Snd. The first performance we gave was in the 10th Street Laundromat in South Philly, and I was so happy that folks came to watch improvised dance in a laundromat! Then the collective joined the Mascher Space Cooperative, which provided us with space to work in. All of this has made for an inspiring year “” it’s like Philadelphia has handed me one gift after another. I am ever in awe of all the exciting people who surround me with hopeful, creative energy here.
2. Is there a place in Philly that inspires you?
I like to sit by the banks of the Schuylkill at Bartram’s Garden.
3. Do you have a favorite performance venue in Philly?
It’s becoming increasingly true that space is an active collaborator in the performing arts, so in a sense the whole city has become a potential performance venue. Philadelphia is really wonderful that way “” there are lots of inviting spaces. The Sanctuary at the Rotunda and the Eastern State Penitentiary are two of my favorites.
4. Tell us about your art.
I make time-based art using human bodies, which is a geeky way of saying I make dances. Sometimes they are choreographed, and sometimes improvised “” often both.
For the Fringe I am fortunate to be collaborating with some extremely talented movers, composers, and video artists, all members of Perpetual Mvmt<>Snd, to make gasp. The piece creates a feedback loop in which the various elements in the space interact and intersect “” sort of an intentional synesthesia. The dancers’ breath, the sounds of their bodies moving across the floor, and their movements will be recorded live and manipulated, providing the point of genesis for the music and video. I’m really excited about this because it’s a simple, clear illustration of how the sound and movement impact one another in space. And the sound of one’s own breath is really powerful to move to.
Learn more about Emily on the web…
www.perpetualmvmtsnd.org
Perpetual Mvmt Snd on Myspace
Mascher Dance
















